{"id":6406,"date":"2021-03-31T14:58:27","date_gmt":"2021-03-31T18:58:27","guid":{"rendered":"https:\/\/tomswafford.com\/welcome\/?page_id=6406"},"modified":"2023-07-14T10:25:53","modified_gmt":"2023-07-14T14:25:53","slug":"scores","status":"publish","type":"page","link":"https:\/\/tomswafford.com\/welcome\/scores\/","title":{"rendered":"Compositions"},"content":{"rendered":"\t\t
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SELECTED COMPOSITIONS AND ARRANGEMENTS<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Click on a title to listen and\/or view score\u00a0 \u00a0<\/b><\/p>

scroll down for chamber music, solo,\u00a0<\/strong><\/p>

vocal and theatrical pieces.<\/strong><\/p>

* score and parts available<\/b><\/p>

Click here for more!<\/strong><\/a><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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ORCHESTRA<\/h3>

*Friend or Fiend<\/a><\/p>

Ode<\/a><\/span>s to<\/a><\/span> Complacency<\/a><\/span><\/p>

Violin Concerto<\/a><\/p>

\u00a0<\/h3>

CHAMBER ORCHESTRA<\/h3>

Suspensions of Disbelief<\/a><\/p>

\u00a0<\/h3>

STRING ORCHESTRA<\/h3>

Expectorant<\/a><\/p>

Lozenge<\/a><\/p>

*Tango Izquierda<\/a><\/p>

Brutal Fanfare<\/a><\/p>

High Lonesome<\/a><\/p>

Ballad<\/a><\/p>

*I’ll Twine ‘Mid the Ringlets (J.P. Webster\/arr.)<\/a><\/p>

Fables of Faubus <\/a>\u00a0(C. Mingus\/ arr.)<\/p>

Venus in Furs<\/a>\u00a0(Velvet Underground\/ arr.)<\/p>

Golden Brown<\/a> (The Stranglers\/arr.)<\/p>

Mary Hartman, Mary Hartman Theme<\/a>\u00a0(B. White\/arr.)<\/p>

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My favorite memory of this piece is my students dancing around a warm up room playing it from memory before going out and performing in our district wide Large Group Festival. So much passion and fun can be explored with Tango Izquierda. Don’t even think twice. Buy it now.\u00a0<\/p><\/div>

Nathan Levine<\/p>

South High School<\/p>

Anchorage, AK\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/span>What a great sound palette, flexibility and fluidity!\u00a0<\/p>

Lukasz Pacer, saxophonist<\/p>

\u00a0<\/p>

I love this piece. It goes in so many different directions so quickly. It’s like a roller coaster. I love how awful sounds interrupt beautiful sounds and it ends up sounding really cool. Can’t wait to hear more by this composer!\u00a0<\/p>

Austin Harris, composer<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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CHAMBER MUSIC\u00a0<\/h4>

STRINGS<\/strong><\/p>

*Adagio Misterioso<\/a> (string quartet)<\/p>

*Scherzo Furioso<\/a>\u00a0(string quartet)<\/p>

*Duet <\/a>(two violins)<\/p>

*Duet<\/a> (violin and viola)<\/p>

*The Passing Storm<\/a>\u00a0(three violins)<\/p>

*Three Duets for Children<\/a>\u00a0(violins)<\/p>

*Ambuscade <\/a>\u00a0(three violins)<\/p>

*Bodkin <\/a>(three violins)<\/p>

*Yclept <\/a>(three violins)<\/p>

*Varlet <\/a>(three violins)<\/p>

*Dandiprat<\/a>\u00a0(three violins)<\/p>

*Quidnunc <\/a>(four violins)<\/p>

*Picaron <\/a>(four violins)<\/p>

*Passacaglia<\/a> (violin and piano)<\/p>

*Rachel<\/a> (violin and percussion- transcription)<\/p>

Status Dances<\/a> (flute, violin, cello, percussion)\u00a0<\/p>

\u00a0<\/strong><\/p>

WINDS and PIANO<\/strong><\/p>

*Times Square Shuffle <\/a>(woodwind quintet)<\/p>

*Traveling Dance<\/a>\u00a0(two B flat clarinets)<\/p>

*Dubious Diversions <\/a>(B flat clarinet and piano)<\/p>

*Journey to Funk <\/a>\u00a0(flute and piano)<\/p>

*Terror in ‘Toon Town \u00a0<\/a>(piano 4-hands)<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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VOCAL<\/h3>

*Simple Needs<\/a>\u00a0(SATB)<\/span><\/p>

The (financial) Honor of the Flag <\/a>(SATB)\u00a0<\/p>

*Bonnie George Campbell<\/a>\u00a0(voice and piano)<\/p>

Backhanded<\/a> (voice and percussion)<\/p>

\u00a0SOLO<\/h3>

*Upshift<\/a> (violin)<\/p>

*Corona Etude<\/a> (violin)<\/p>

*Hairsplitter<\/a>\u00a0(violin)<\/p>

*Folksy<\/a> (viola)<\/p>

*Aria<\/a> (cello)<\/p>

Brian’s Aria<\/a> (cello)<\/p>

For Sally Wall<\/a> (oboe)<\/p>

*Short Suite<\/a>\u00a0(oboe)<\/p>

*Imposition <\/a>(bassoon)<\/p>

*Mood Chart <\/a>(B flat clarinet)<\/p>

Jen’s Lament<\/a> (trombone)<\/p>

Cliche Embrace<\/a> (accordion)<\/p>

*Blues Obscured<\/a> (piano)<\/p>

*Finger<\/a> Games <\/a>(piano)\u00a0<\/p>

*Lament<\/a>\u00a0(piano)<\/p>

*Dance Piece<\/a>\u00a0(piano)<\/p>

*Closure<\/a>\u00a0(piano)<\/p>

The Lyrical Log Drum<\/a> (percussion)<\/p>

THEATRICAL\u00a0<\/h3>

Bad Actor<\/a>\u00a0(musical)\u00a0<\/p>

This is the Real Me<\/a>\u00a0(solo performer)\u00a0<\/p>

Hecklepiece <\/a>(audience and solo improvisor)\u00a0<\/p>

Status Games<\/a> (two singers)\u00a0<\/p>

Your (so called) ‘Music’<\/a>\u00a0(narrator and ensemble)\u00a0<\/p>

*The Wretch <\/a>(voice, harpsichord and bassoon)<\/p>

*Pay Dirt<\/a> (voice and piano)<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Very cool! The inside of the composer’s mind.<\/p>

-Ned McGowan, composer<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

SELECTED COMPOSITIONS AND ARRANGEMENTS Click on a title to listen and\/or view score\u00a0 \u00a0 scroll down for chamber music, solo,\u00a0 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/tomswafford.com\/welcome\/wp-json\/wp\/v2\/pages\/6406"}],"collection":[{"href":"https:\/\/tomswafford.com\/welcome\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tomswafford.com\/welcome\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tomswafford.com\/welcome\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomswafford.com\/welcome\/wp-json\/wp\/v2\/comments?post=6406"}],"version-history":[{"count":117,"href":"https:\/\/tomswafford.com\/welcome\/wp-json\/wp\/v2\/pages\/6406\/revisions"}],"predecessor-version":[{"id":8082,"href":"https:\/\/tomswafford.com\/welcome\/wp-json\/wp\/v2\/pages\/6406\/revisions\/8082"}],"wp:attachment":[{"href":"https:\/\/tomswafford.com\/welcome\/wp-json\/wp\/v2\/media?parent=6406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}